480331

CHARLIE PARKER QUINTET

PR, 'Three Deuces Club', 72 West 52nd Street, NYC, Wednesday, March 31, 1948.

Miles Davis(tp); Charlie Parker(as); Duke Jordan(p); Tommy Potter(b); Max Roach(ds); Kenny 'Pancho' Hagood(vcl=g).
Recorded by Dean Benedetti.

#MatrixTitleTaketimeSPOrig.LPReis.LPCD
a(214)52nd Street Theme(I)
3:44
SPOT. 141MOS. 129(CD5, tr  7) MOS. 129
b(215)Big Foot (aka "Air Conditioning",
"Drifting on a reed" and "Giant swing")
4:24 SPOT. 141MOS. 129(CD5. tr  8) MOS. 129
c(216)Dizzy Atmosphere
2:56
SPOT. 141MOS. 129(CD5, tr  9) MOS. 129
d(217)My Old Flame (fragment)
0:26
SPOT. 141MOS. 129(CD5, tr10) MOS. 129
e(218)52nd Street Theme(II)
(Parker voiceover)
2:36
SPOT. 141MOS. 129(CD5, tr11) MOS. 129
Splice at 2:12 (before announcement). Parker voiceover (2:13-2:22): "Ladies and gentlemen, the management of the Three Deuces for your listening and entertainment pleasure Margie Hyams and her very fine trio. Let's bring her on with a rousing round of applause. A hand for Margie Hyamsc"
f(219)Half Nelson
4:36
SPOT. 141MOS. 129(CD5, tr12) MOS. 129
g(220)All The Things You Are-vKH
4:50
SPOT. 141MOS. 129(CD5, tk13) MOS. 129
h(221)52nd Street Theme(III)
(Parker Voiceover)
1:21
SPOT. 141MOS. 129(CD5, tk14) MOS. 129
Parker voiceover (1:00-1:10): "And now, ladies and gentlemen, the management has gone to tremendous expense to bring for your listening and entertainment pleasure Margie Hyams and her very fine trio. Let's bring her on with a rousing round of applause. A big hand for Margie Hyamsc"

Note:

These items were recorded on a Brush Sound Mirror paper-based tape recorder. This session circulated on tape and was later released
on Spotlite before the Benedetti cache was issued by Mosaic. The Mosaic set is sonically better.
The Parker Quintet played three weeks at the Three Deuces (March 30-April 11). After this, Davis played a week at the Apollo Theatre
with "Symphony Sid's Bop Concert," an all-star band including Kay Winding [sic], Allen Eager, Milt Jackson, Tadd Dameron, Curley
Russell, Max Roach, and Earl Coleman. In late March or early April, Monte Kay began booking bop concerts on Tuesday nights at the
Royal Roost, and the Symphony Sid group was booked at the Roost beginning April 23. The bop shows were so successful that the Roost
quickly moved to bebop seven nights a week. A Parker-led group was booked at the Roost throughout May and early June.
Numbers in parentheses indicate the place of the item in the Mosaic box. "(4/1)" means that this item is on disc 4, track 1.

All titlesSPOTLITE SPJ 141"GENE ROLAND BAND / THE BAND THAT NEVER WAS" B1, 8, 2, 3, 6, 5, 4, 7 - edited
All titlesMOSAIC MR10 129"C.PARKER : THE COMPLETE DEAN BENEDETTI RECORDINGS (10LPs BOX SET)"
All titlesDefinitive DRCD 11230"COMPLETE BIRD AT ST. NICK"
bFremeaux & Associes FA 1335"INTEGRALE CHARLIE PARKER VOL. 5 : PARKER'S MOOD 1947-1949" [3CDs]
All titlesImport 64923"COMPLETE BIRD AT ST. NICK'S"
All titlesMOSIC MD7-129"THE COMPLETE DEAN BENEDETTI RECORDINGS" [disc 5]
a, b, hPHILOLOGY (I) W5/18.2 Vol.1/4"BIRD'S EYES, VOLUMES 1 & 4" [2 CDs]
fSTASH STB 2500"BIRD SEED (THE UNHEARD) Vol.1"