# | Matrix | Title | Take | Time | SP | Orig.LP | Reis.LP | CD |
---|---|---|---|---|---|---|---|---|
1 | The Star-Spangled Banner (Ellington Orchestra) | 1:28 | FDC 1005/6 | |||||
2 | The Mooche (Ellington Orc.) | 5:51 | FDC 1005/6 | |||||
3 | How High the Moon (Ellington Orc.) | 6:02 | FDC 1005/6 | |||||
4 | Introduction (Bob Garrity) | 0:42 | FDC 1005/6 | |||||
5 | Lullaby of Birdland (Ellington Orc.) | 3:22 | FDC 1005/6 | |||||
6 | Introduction (Bob Garrity) | 0:48 | FDC 1005/6 | |||||
7 | The Hawk Talks (Ellington Orc.) | 2:44 | FDC 1005/6 | |||||
8 | The Tattooed Bride (Ellington Orc.) | 11:34 | FDC 1005/6 | |||||
9 | Sweetie Pie (Stan Getz Quintet) | |||||||
10 | Moonlight In Vermont (S.Getz Q.) | 2:55 | F.Sound 1003 | |||||
11 | Introduction (Bob Garrity) | 0:10 | FDC 1005/6 | F.Sound 1003 | ||||
Garrity: "I'd like to bring to you, a star in his own right, on the tenor saxophone, it's the Stan Getz quintet..." | ||||||||
12 | There Will Never Be Another You (Stan Getz Q.) | 6:45 | FDC 1005/6 | F.Sound 1003 | ||||
13 | Strike Up the Band (Stan Getz Q.) | 6:47 | FDC 1005/6 | F.Sound 1003 | ||||
14 | So Beats My Heart For You (Ahmad Jamal Trio) | |||||||
15 | It Ain't Necessarily So (A.Jamal T.) | |||||||
16 | This Can't Be Love (A.Jamal T.) | |||||||
a | Just Friends into | 3:04 | Bird Box 18 | Philology vol.28 | ||||
b | Easy To Love | 2:29 | Bird Box 18 | Philology vol.28 | ||||
c | Introduction (Bob Garrity) | 0:17 | Philology vol.28 | |||||
Add Candido (cga). Introduced by Parker: "Ladies and gentlemen, along with the rest of the orchestra, Cra, Candido would like to go along with us and give you his interpretation of the tune, another recording we sincerely hope you will remember and enjoy, 'Repetition'..." | ||||||||
d | Repetition -1 | 4:36 | Bird Box 18 | Philology vol.28 | ||||
e | Strings Theme -bird out | 0:24 | Bird Box 18 | Philology vol.28 | ||||
Voiceover from 0:09: "Lotsa nice music, huh? Charlie Parker and Strings, ladies and gentlemen, Charlie Parker and Strings..." | ||||||||
f | Introduction (Bob Garrity) | 0:48 | FDC 1005/6 | Philology vol.28 | ||||
"And I know that you'll enjoy Candido on conga, and bonga; and the string section... We got more comin', right now. There's more coming. We're gonna get, gonna get a little sort of a session goin' here, a bit of a session, a session that will feature the rhythm section -- that's with Walter Bishop, Walter Yost, Roy Haynes, Charlie Parker on alto, Candido on the conga, and on trumpet, and on trumpet, a young man named Dizzy Gillespie, doing 'A Night in Tunisia'..." | ||||||||
g | A Night In Tunisia | 7:33 | FDC 1005/6 | Philology vol.28 | ||||
No strings; add Gillespie and Candido | ||||||||
h | 52nd Street Theme | 2:19 | FDC 1005/6 | Philology vol.28 | ||||
No strings; add Gillespie | ||||||||
25 | Take The A Train (Ellington Orc.) | |||||||
26 | Monologue - Pretty and The Wolf | |||||||
27 | The VIP's Boogie | |||||||
28 | Jam with Sam | |||||||
29 | Lover Man (Billie Holiday) | |||||||
30 | My Man | 3:11 | ESP 3003 | |||||
31 | Miss brown to you | |||||||
32 | Easy Living | |||||||
33 | What A Little Moonlight Can Do | |||||||
34 | Tenderly | |||||||
35 | Strange Fruit | |||||||
36 | Fine And Mellow | 3:41 | ESP 3003 | |||||
37 | Skin Deep (Ellington Orc.) |
# | Matrix | Title | Take | Time | SP | Orig.LP | Reis.LP | CD |
---|---|---|---|---|---|---|---|---|
38 | The Star-Spangled Banner (Ellington Orchestra) | |||||||
39 | The Mooche (Ellington Orc.) | |||||||
40 | How High the Moon (Ellington Orc.) | |||||||
41 | Lullaby of Birdland (Ellington Orc.) | |||||||
42 | The Tattooed Bride (Ellington Orc.) | |||||||
43 | Introduction (Bob Garrity) | 0:14 | F.Sound 1003 | |||||
44 | Cherokee (Stan Getz Quintet) | 7:05 | F.Sound 1003 | |||||
45 | Moonlight In Vermont (Stan Getz Q.) | |||||||
46 | Stella By Starlight (Stan Getz Q.) | 5:25 | F.Sound 1003 | |||||
47 | Sweetie Pie (Stan Getz Q.) | 6:20 | F.Sound 1003 | |||||
48 | So Beats My Heart For You (Ahmad Jamal Trio) | |||||||
49 | It Ain't Necessarily So (Ahmad Jamal Trio) | |||||||
50 | This Can't Be Love (Ahmad Jamal Trio) | 3:21 | ||||||
51 | Introduction (Bob Garrity) | 0:11 | ||||||
"And there you have, probably, probably, one of the most tasty trios in the business today, the Ahmad Jamal Trio. Records on Okey label, also tasty." | ||||||||
52 | Introduction (Bob Garrity) | 1:03 | ||||||
"And we have a lot more music for you, of course. We'll have Duke Ellington back, a little bit later. Right now, though, we want to sorta kinda mix things together, and really get something nice, you... first get some strings, like for instance some violins, and then we could throw in a cello, a rhythm section, a harp. Let's see, we have piano, bass, drums... You get something that's real pretty, a real pretty song, how 'bout something like 'Just Friends'? That sounds good. But there's... one more thing, of course, that we'll have to add to this, that kind of makes the whole thing, and that's a fella -- I don't even know why I go through an introduction, but you know him, number one on alto, Charlie Parker..." | ||||||||
i | Just Friends | 3:25 | FDC 1005/6 | Philology vol.28 | ||||
j | Easy To Love | 2:26 | FDC 1005/6 | Philology vol.28 | ||||
k | Repetition | 5:24 | FDC 1005/6 | Philology vol.28 | ||||
l | Strings Theme -bird out | 0:22 | Philology vol.28 | |||||
---Interval--- | ||||||||
57 | The Hawk Talks (Ellington Orc.) | |||||||
58 | Introduction (D.Ellington) | 0:37 | ||||||
"Thank you. We have a request for 'Monologue'... 'Monologue'... (applause) 'Monologue', ladies and gentlemen, is a bit of in -- a tiny bit of interpretive music played by our 'Music in the Foreground' trio, Jimmy Hamilton, Russell Procope, and Harry Carney. They, through the medium of their clarinets, tell a very true to life story, one that we see re-enacted in real life every day, a little thing that seems to happen to some of our best friends, gets dangerously close at times, and I'm sure everyone knows someone wo has participated in this type of episode. It's called 'Pretty and the Wolf'..." | ||||||||
59 | Monologue - Pretty and The Wolf (DE narration) | 2:43 | ||||||
"Once upon a time, there came to the city a pretty little girl. A little country but... pretty! A little ragged but... pretty little girl. There she met a man, a city man: smooth, handsome, successful... a well-mannered-type man. And since she was pretty, he saw fit to give her an audience, so he talked to her for quite a while. Naturally, she wanted to... get somewhere. He was already somewhere. He was standing on the corner, twirling his diamond-studded gold chain around his finger, and as he enumerated the various conditions and ways for her to... get somewhere, you could hear her saying, "Yes, daddy... Yes, daddy... Yes, daddy." And so agreed, they danced. They danced. They really danced -- they gave it a mad whirl. The maddest. Their hearts danced. They virtually spun each other around. And as they came out of their spin -- or rather, as she came out of her spin, because I think he got caught in his (as a matter of fact, he's still in his spin) -- obviously he likes it, because there she is. Standing on the corner, twirling the diamond-studded gold chain around her finger. And as she enumerates the various conditions and ways for him to... get somewhere, we can hear him say, "Yes, baby... Yes, baby... Yes, baby..." | ||||||||
60 | Introduction (D.Ellington) | 0:38 | ||||||
"Thank you. And now, two numbers, recently released back-to-back on one Columbia record, 'The VIP's Boogie' and 'Jam with Sam' (applause)... We combine these two numbers for a bit of name-calling. We start with Harry Carney at the bottom of the horn, we go up to Cat Anderson at the top of the horn. 'The VIP's Boogie', 'Jam with Sam'... Harry Carney..." | ||||||||
61 | The VIP's Boogie | 3:12 | ||||||
62 | Jam with Sam | 3:39 | ||||||
m | Introduction (Bob Garrity) | |||||||
n | A Night In Tunisia | |||||||
No strings; add Gillespie and Candido | ||||||||
o | 52nd Street Theme | |||||||
No strings; add Gillespie | ||||||||
66 | Body and Soul (Ellington Orchestra with Gillespie) | 5:02 | FDC 1005/6 | |||||
67 | I Cover The Waterfront (B.Holiday) | 3:46 | ESP 3003 | |||||
68 | Introduction (Ellington) | 0:29 | FDC 1005/6 | ESP 3003 | ||||
"It's a pleasure to present one of the great artists, always imitated... The imitation is always attempted -- there are varying degrees of success, as far as the imitators are concerned. Another great symbol of good taste in good music. Ladies and gentlemen, Miss Billie Holiday..." | ||||||||
69 | Lover Come Back to Me (B.Holiday) | 1:52 | FDC 1005/6 | ESP 3003 | ||||
70 | What A Little Moonlight Can Do (") | |||||||
71 | My Man (") | |||||||
72 | Fine And Mellow (") | |||||||
73 | Take The A Train (Ellington Orc.) | |||||||
"And now, our first-chair percussionist... Louie Bellson and his electrifying performance of his own composition, 'Skin Deep'..." | ||||||||
74 | Skin Deep (Ellington Orc.) | 9:07 | ||||||
75 | Duke Ellington Medley | 8:08 | FDC 1005/6 | |||||
Ellington Orchestra. "Don't Get Around Much Anymore," "In a Sentimental Mood," "Mood Indigo," "I'm Beginning to See the Light," "Sophisticated Lady," "Caravan," "It Don't Mean a Thing," "Solitude," "I Let a Song Go Out of My Heart," etc. |
1 - 8, 11 - 13, b, d, f - h, i, 66, 68, 69, 75 | Atlantis (UK) ATSD 2 | "D.ELLINGTON : CONCERT AT CARNEGIE HALL" (2LPs) | |
30, 36, 67, 69 | Aspen 2005 | "BILLIE HOLIDAY IN THE 50'S LIVE" | |
b - d, f - h, i | Bandstand BD-1518 | "C.PARKER : LIVE AT CARNEGIE HALL" | |
b - h, i- k | Birdbox (I) BB.LP-22 | "CHARLIE PARKER "(22 LPs BOX) | |
b, d, | CBS COLUMBIA JC-34832 | "BIRD WITH STRINGS LIVE AT THE APOLLO, CARNEGIE HALL & BIRDLAND" | |
1 - 8, 11 - 13, b, d, f - h, i, 66, 68, 69, 75 | D.J.M. (UK) DJD-28023 | "D.ELLINGTON : CONCERT AT CARNEGIE HALL" (2LPs) [1976] | |
30, 36, 67, 69 | ESP-DISC 3003 | "BILLIE HOLIDAY / BROADCAST PERFORMANCES VOL. 2" | |
1 - 8, 11 - 13, b, d, f - h, i, 66, 68, 69, 75 | F.D.C (I) 1005/1006 | "D.ELLINGTON 25TH ANNIVERSARY CONCERT" (2LPs) [1966] | |
f - h | Klacto (UK) MG 102, Odeon(J)EOR-9015C/3, Zu Zazz ZZ-1003 | "C.PARKER & D.GILLESPIE : BIRD MEETS BIRKS" | |
a, e, i | Philology (I) 214.W.05 | "BIRD'S EYES, LAST UNISSUED, Vol.1" | |
c - h, i, j | S.C.A.M.(UK) JPG-2, Blue Parrot (UK) AR-702 | "C.PARKER WITH ROLF ERICSON AND DIZZY GILLESPIE" [1975] | |
12 - 13, b, h, i, 66 | Vee Jay International VJS-3056 | "IN CONCERT...CARNEGIE HALL - D.GILLESPIE, S.GETZ & C.PARKER" | |
12 - 13, b, h, i, 66 | Vee Jay (J) UXP-103-JY | "IN CONCERT AT CARNEGIE HALL BIRD, DIZ, GETZ / CHARLIE PARKER, DIZZY GILLESPIE, STAN GETZ" [1978] | |
1 - 5, 7 - 8, 66, 69, 75 | Vee Jay (J) RJL-2610 | "DUKE ELLINGTON 1952 / AT CARNEGIE HALL" | |
b, d, g, h, i | Vee Jay (J) RJL-2613 | "CHARLIE PARKER 1945-1952 AT CARNEGIE HALL & OTHERS" [1983] | |
b - d, f - h, i | Bandstand (J) TKCB-70813, 32-JDB-200 | "LIVE AT CARNEGIE HALL" | |
30, 36, 67 - 69 | BHD CD05 | "BILLIE HOLIDAY / RARE TRACKS FROM THE BHD, VOL.5 (1949-1953)" | |
30, 36, 67 - 69 | ESP-Disc 3003 | "BILLIE HOLIDAY / BROADCAST PERFORMANCES VOL. 2" | |
b, d | CBS Sony (J) 25DP 5302, (J) SRCS-7096 | "BIRD WITH STRINGS / C.PARKER, LIVE AT THE APOLLO, CARNEGIE HALL & BIRDLAND" | |
f - h | Cool & Blue 105 | "CHARLIE PARKER: BIRD AT CARNEGIE HALL" | |
1 - 8, 11 - 13, b - d, g - h, i, 66, 68 - 69, 75 | Cool Note (2CDs) | "DUKE ELLINGTON / 25TH ANNIVERSARY CONCERT" | |
b - d, f - h, i | Drive ADD 3512 (Swi) | "CHARLIE PARKER / NOW'S THE TIME" | |
a - h, i - l | Definitive DRCD 11375 | "C.PARKER THE COMPLETE CARNEGIE HALL PERFORMANCES" [4CDs] | |
10 - 13, 43 - 44, 46 - 47 | Fresh Sounds (Sp) FSCD-1003 | "STAN GETZ QUINTET AT CARNEGIE HALL" | |
b, d, f - h, i - l | Jazz Up Top Box CD-3015 | "LIVE AND PRIVATE RECORDINGS IN CHRONOLOGICAL ORDER" BIRD BOX VOL.13-15 [Disc 15] | |
30, 36, 67, 69 | Jazz Up Top Box CD-3040 | "LADY DAY BOX Vol. 06 Of 12" | |
30, 36, 67, 69 | Masters Of Jazz (F) KBF 1320 | "BILLIE HOLIDAY / Vol. 20 Nov.1952 - Feb.1954" | |
a, e, i | Philology (I) Vol.1/4 (W 5/18) | "BIRD'S EYES, VOLUMES 1 & 4" [2 CDs] | |
a - h, i - l | Philology (I) Vol.28 (W 859) [CD-R]) | "BIRD'S EYES, VOLUME 28"[CD-R] | |
All titles | Philology (I) Vol.28R (Revised) (W 859) [CD-R] | "BIRD'S EYES, VOLUME 28"(Revised)[CD-R] | |
d, f - g | Vee Jay International 30YD-7008 | "NIGHT IN TUNISIA" | |
1 - 5, 12 - 13, b, d, f - h, i, 66, 69, 78 | Vee Jay International 32YD-1079 | "IN CONCERT...CARNEGIE HALL / BIRD...DIZZY...GETZ" |